Evolved Self is a fashion editorial exploring the constant transformation of structure and identity, questioning the body's potential to reshape itself. In this interview series, we spoke with the creative minds involved in Evolved Self about their design philosophies, creative processes, and perspectives on the future. One of these creatives is fashion designer Fatma Süleymanoğlu:
How would you define yourself and your creative identity?
As someone whose personal and creative identities are deeply intertwined, I believe the world I present through my designs is the best reflection of myself. I shape my creative identity through a deconstructivist/anti-aesthetic approach and storytelling. I don’t think design should always be limited by aesthetic concerns. I love the disruptive and thought-provoking side of a raw, non-commercial piece. The idea that design shares a fine link with art intrigues me. Like many creative individuals, my sources of inspiration include films, psychology, and life itself.
When I first shared the concept of the Evolved Self shoot with you, before the actual shoot even took place, what was the first word or visual that came to your mind?
“ALL PHYSICAL MATTER IS SUBJECT TO DECAY, ROT, AND DEATH.”
Visually, I recalled a collage piece I had created for my collection.
If our bodies could truly generate new forms, how would that change your design approach?
This would introduce an entirely new dimension to garment design—perhaps designs would resemble kitschy washing machine covers. I asked myself a similar question when I first stepped into the world of digital fashion. In the near future, I believe we will see shapeless, bodiless designs in the metaverse.
When do you consider a design to be “complete”? Or do you believe that a design can always evolve?
I believe that once a design is created, it embarks on its own journey and can outlive its era. I am among those who think that the evolution of design never truly ends. The physical form of a product may not always need to change, but philosophically, its meaning continues to evolve over time. That is why, even if I complete a collection, I am sure that the designs I create will take on new meanings in different hands and different eras.
How do you evaluate the impact of technology, especially artificial intelligence, on fashion and design?
Every new technology brings both advantages and challenges into our lives, and artificial intelligence is no exception. In creative fields, especially in design and art, AI seems poised to bring about both positive and negative transformations. While it might save time in various sectors, it also raises concerns about copyright and originality. However, I firmly believe that human creativity will always remain authentic and special. Although AI can accelerate creative processes, in the end, the value of designs will be determined by human effort and vision. With the rising popularity of digital avatars and AI, new opportunities will emerge in the digital world. In the long run, these technologies may even make human-crafted designs—much like haute couture—more exclusive and valuable.